
If your father, brother, or uncle played an instrument, they might well be your teacher. If you were a boy, you might have learned to play the fife or the drums this way (so that you might play and march with the town militia) or the fiddle, which was usually played to accompany dancing. In every town, there were some men and boys who could play the fiddle and the fife and drums, or a simple instrument like the "twanging" mouth harp.
Unfortunately for girls, these fairly common instruments were usually reserved for men and boys. "Feminine" instruments (other than the voice!) included the pianoforte (what we simply call a piano today), the flute, or even the "Spanish guitar." The problem was that these instruments were all very expensive, so that only girls whose parents were quite prosperous could give them an opportunity to play.
Many kids today complain about practicing the piano, but Sally Towne, who grew up in the Village's Salem Towne House, loved to play. We even have the sheet music she used, carefully bound in leather volumes with her initials on them. Her parents actually sent her to Boston to board for several months while she took lessons with a music teacher from Italy.
Most
teen-agers would have had a chance to learn to sing; there were singing masters
traveling around the countryside who would stop in a town and offer a "Singing
School" -- several weeks of lessons, often in the local schoolhouse at night
-- if enough people subscribed. He would then teach them four-part choral
singing, and the Singing School would end with a concert or exhibition of
their talents. Many young people eagerly attended Singing School, both to
sing and to socialize. Some of them may have been as young as 12 or 13. Most
of the music they sang was "church music," but they appear to have enjoyed
it greatly.